AFP

Beyonce, the paradigm-shifting music royal whose art has long established her as one of entertainment’s seminal stars, on Friday released her hotly anticipated album “Renaissance,” a house-tinged dance record primed for its summer needle drop.

Six years after she shook the culture with her powerful visual album “Lemonade,” Beyonce’s seventh solo studio work is a pulsating, sweaty collection of club tracks aimed at liberating a world consumed by ennui.

Eminently danceable and rife with nods to disco and EDM history — Queen Bey interpolates Donna Summer and Giorgio Moroder along with James Brown and the archetypal synth line from “Show Me Love,” the 1990s house smash by Robin S — the 16-song album is poised to reign over the season.

Prior to releasing her opus Beyonce had dropped “Break My Soul” to acclaim, setting the tone for her house revival that highlighted the Black, queer and working-class artists and communities who molded the electronic dance genre, which first developed in Chicago in the 1980s.

The megastar has indicated that “Renaissance” is but the first act of three, in a project she said she recorded over the course of three years during the pandemic.

“Creating this album allowed me a place to dream and to find escape during a scary time for the world,” Beyonce on her website.

“It allowed me to feel free and adventurous in a time when little else was moving,” she continued. “My intention was to create a safe place, a place without judgment. A place to be free of perfectionism and overthinking.”

“A place to scream, release, feel freedom. It was a beautiful journey of exploration.”

– ‘Expansive listening journey’ –

In the weeks preceding the release of “Renaissance” Beyonce teased the album with the steady stream of glossy, curated portraits of herself that over the past decade have become her signature.

But though she’s received wide praise for keeping the world of music videos on the cutting edge, Beyonce put out her latest record sans visuals (they’re promised at a later date.)

In a statement her label Parkwood Entertainment and Columbia Records lent insight into the decision, saying the artist “decided to lead without visuals giving fans the opportunity to be limitless in their expansive listening journey.”

Beyonce’s soaring vocals have their place on “Renaissance” but it’s the rhythmic, urgent call to the dance floor that stands out, with a tapestry of influences paying homage to pioneers of funk, soul, rap, house and disco.

“Unique / That’s what you are / Stilettos kicking vintage crystal off the bar,” she sings on “Alien Superstar,” which samples Right Said Fred’s “I’m Too Sexy” in a sonic ode to voguing, the stylized house dance that emerged from the Black LGBTQ ballroom culture of the 1960s.

That song closes by sampling a speech from Barbara Ann Teer, who founded Harlem’s National Black Theatre.

On “Virgo’s Groove” Beyonce gets raunchy with an unabashed sex anthem, adding a titular nod to her star sign — the Virgo turns 41 on September 4.

Along with a smattering of deep house cuts as well as tributes to gospel, funk and soul, Beyonce’s collaborators on “Renaissance” include Nile Rodgers, Skrillex, Nigerian singer Tems, Grace Jones, Pharrell and, of course, her rap mogul husband Jay-Z.

– Album leaks, Beyhive stings –

Beyonce has long bucked music’s conventional wisdom, and is credited with popularizing the surprise album drop.

She later made waves by releasing “Lemonade” — the groundbreaking work that chronicled her own emotional catharsis following infidelity within a generational and racial context — first on cable television, and limiting its streaming availability.

Since “Lemonade” she’s released “Homecoming,” a live album and film featuring footage from her mythic 2018 Coachella performance, as well as the critically acclaimed song “Black Parade” — which dropped amid mass protests ignited by the police murder of George Floyd.

That song saw the megastar, who first gained fame as a member of Destiny’s Child, become the winningest woman ever at the Grammys with 28, and the gala’s most decorated singer.

But for all her cultural clout and an indisputable throne in music’s pantheon, Beyonce’s songs have not seen the same commercial dominance as other contemporary global stars — her last number one solo hit was 2008’s “Single Ladies (Put a Ring on It).”

That’s poised to change with “Renaissance.”

The album’s release saw Queen Bey return to music business as usual, deploying pre-sales, a lead single drop, a tracklist and polished social media fodder.

But it wasn’t without a hitch — in the days prior to the official release, the album leaked online.

Late Friday Bey thanked her hive for waiting, and added that “I appreciate you for calling out anyone that was trying to sneak into the club early.”

“We are going to take our time and Enjoy the music,” the megastar told her fandom. “I love you deep.”

Beyonce, the paradigm-shifting music royal whose art has long established her as one of entertainment’s seminal stars, on Friday released her hotly anticipated album “Renaissance,” a house-tinged dance record primed for its summer needle drop.

Six years after she shook the culture with her powerful visual album “Lemonade,” Beyonce’s seventh solo studio work is a pulsating, sweaty collection of club tracks aimed at liberating a world consumed by ennui.

Eminently danceable and rife with nods to disco and EDM history — Queen Bey interpolates Donna Summer and Giorgio Moroder along with James Brown and the archetypal synth line from “Show Me Love,” the 1990s house smash by Robin S — the 16-song album is poised to reign over the season.

Prior to releasing her opus Beyonce had dropped “Break My Soul” to acclaim, setting the tone for her house revival that highlighted the Black, queer and working-class artists and communities who molded the electronic dance genre, which first developed in Chicago in the 1980s.

The megastar has indicated that “Renaissance” is but the first act of three, in a project she said she recorded over the course of three years during the pandemic.

“Creating this album allowed me a place to dream and to find escape during a scary time for the world,” Beyonce on her website.

“It allowed me to feel free and adventurous in a time when little else was moving,” she continued. “My intention was to create a safe place, a place without judgment. A place to be free of perfectionism and overthinking.”

“A place to scream, release, feel freedom. It was a beautiful journey of exploration.”

– ‘Expansive listening journey’ –

In the weeks preceding the release of “Renaissance” Beyonce teased the album with the steady stream of glossy, curated portraits of herself that over the past decade have become her signature.

But though she’s received wide praise for keeping the world of music videos on the cutting edge, Beyonce put out her latest record sans visuals (they’re promised at a later date.)

In a statement her label Parkwood Entertainment and Columbia Records lent insight into the decision, saying the artist “decided to lead without visuals giving fans the opportunity to be limitless in their expansive listening journey.”

Beyonce’s soaring vocals have their place on “Renaissance” but it’s the rhythmic, urgent call to the dance floor that stands out, with a tapestry of influences paying homage to pioneers of funk, soul, rap, house and disco.

“Unique / That’s what you are / Stilettos kicking vintage crystal off the bar,” she sings on “Alien Superstar,” which samples Right Said Fred’s “I’m Too Sexy” in a sonic ode to voguing, the stylized house dance that emerged from the Black LGBTQ ballroom culture of the 1960s.

That song closes by sampling a speech from Barbara Ann Teer, who founded Harlem’s National Black Theatre.

On “Virgo’s Groove” Beyonce gets raunchy with an unabashed sex anthem, adding a titular nod to her star sign — the Virgo turns 41 on September 4.

Along with a smattering of deep house cuts as well as tributes to gospel, funk and soul, Beyonce’s collaborators on “Renaissance” include Nile Rodgers, Skrillex, Nigerian singer Tems, Grace Jones, Pharrell and, of course, her rap mogul husband Jay-Z.

– Album leaks, Beyhive stings –

Beyonce has long bucked music’s conventional wisdom, and is credited with popularizing the surprise album drop.

She later made waves by releasing “Lemonade” — the groundbreaking work that chronicled her own emotional catharsis following infidelity within a generational and racial context — first on cable television, and limiting its streaming availability.

Since “Lemonade” she’s released “Homecoming,” a live album and film featuring footage from her mythic 2018 Coachella performance, as well as the critically acclaimed song “Black Parade” — which dropped amid mass protests ignited by the police murder of George Floyd.

That song saw the megastar, who first gained fame as a member of Destiny’s Child, become the winningest woman ever at the Grammys with 28, and the gala’s most decorated singer.

But for all her cultural clout and an indisputable throne in music’s pantheon, Beyonce’s songs have not seen the same commercial dominance as other contemporary global stars — her last number one solo hit was 2008’s “Single Ladies (Put a Ring on It).”

That’s poised to change with “Renaissance.”

The album’s release saw Queen Bey return to music business as usual, deploying pre-sales, a lead single drop, a tracklist and polished social media fodder.

But it wasn’t without a hitch — in the days prior to the official release, the album leaked online.

Late Friday Bey thanked her hive for waiting, and added that “I appreciate you for calling out anyone that was trying to sneak into the club early,” the megastar told her fandom. “We are going to take our time and Enjoy the music.”

“I love you deep.”

A woman who sued Bob Dylan for allegedly sexually abusing her when she was 12 has dropped her case, just after the folk-rock artist’s legal team accused her of destroying evidence.

In August of last year the plaintiff, who remains unnamed and was identified only as J.C., had filed a suit alleging that Dylan abused her over a six-week period between April and May of 1965.

It alleged Dylan “exploited his status as a musician” to provide “alcohol and drugs and sexually abuse her multiple times” at the famed Chelsea hotel in Manhattan.

The suit also accused Dylan, who turned 81 in May, of physically threatening the girl.

At the time a spokesperson for Dylan, who was born Robert Zimmerman, had dubbed the accusation “untrue.” 

In a letter Dylan’s legal team filed with the federal court on Wednesday, they accused the plaintiff of deleting important text messages, and suggested that “monetary sanctions” were necessary.

On Thursday Dylan’s lawyers said the plaintiff had dropped the case. Lawyers for the plaintiff did not immediately respond to an AFP request for comment.

“This case is over,” said Dylan’s lead counsel, Orin Snyder, in a statement given to AFP. “It is outrageous that it was ever brought in the first place. We are pleased that the plaintiff has dropped this lawyer-driven sham and that the case has been dismissed with prejudice.”

The plaintiff’s lawsuit was filed last summer, a day before the window for filing claims under New York State’s Child Victims Act closed.

The act allowed victims of abuse to sue their alleged attackers irrespective of the age of the claims or whether the statute of limitations had passed.

Instagram will pause features that users have campaigned against and complained make the social network too much like TikTok, according to a report in the Platformer tech newsletter Thursday.

Celebrity sisters Kim Kardashian and Kylie Jenner were some of the most vocal users to have posted messages on social media this week calling for the company to “make Instagram Instagram again” and stop trying to be like TikTok.

The slogan sprang from a change.org petition that had received more than 229,000 signatures as of late Thursday.

“Lets go back to our roots with Instagram and remember that the intention behind Instagram was to share photos, for Pete’s sake,” the petition read.

Instagram chief Adam Mosseri had responded to the controversy earlier this week with a video on Twitter in which he said the features were a work in progress, and being tested with a small number of users.

Changes included playing up short-form video, displaying it full-screen the way TikTok does, and recommending posts from strangers.

“I’m glad we took a risk,” Mosseri was quoted as saying Thursday in an interview with Platformer’s Casey Newton.

“But we definitely need to take a big step back and regroup.”

“If we’re not failing every once in a while, we’re not thinking big enough or bold enough,” Mosseri said.

Mosseri argued that the shift to more video would happen even if the service changed nothing, as users increasingly share and seek video snippets.

“If you look at what people share on Instagram, that is shifting more and more to video over time,” Mosseri said.

“We are going to have to lean into that shift.”

Meta chief Mark Zuckerberg backed that position during an earnings call Wednesday, saying people are increasingly watching video online.

Both Meta and Google are among companies facing increased competition from TikTok for people’s attention, and have launched their own versions of short-form video sharing.

A man convicted of murdering his ex-girlfriend was executed in the southern US state of Alabama on Thursday despite objections from the victim’s family.

Joe Nathan James, 49, was sentenced to death in 1996 for the 1994 murder of 26-year-old Faith Hall.

James’s time of death was 9:27 pm (0127 GMT Friday) according to the Alabama Attorney General’s office. He had been scheduled to be executed via lethal injection.

James had petitioned the US Supreme Court to stay his execution “pursuant to the wishes of the surviving members of the family of the victim.”

“The victims and their families are paramount in our justice system, and deserve to be heard on the matter of the ultimate punishment of offenders,” James’s lawyer said in an appeal to the Supreme Court.

Hall’s daughters, who were six and three years old when their mother was murdered, had said they wanted James’s life to be spared.

“I don’t want it to go forward. We’re not God,” Terryln Hall told CBS 42.

“An eye for an eye has never been a good outlook for life,” added her sister, Toni Hall.

James was convicted of shooting Faith Hall to death after she broke off their short relationship.

In a statement, Alabama Attorney General Steve Marshall said “justice has been served.”

“Joe James was put to death for the heinous act he committed nearly three decades ago: the cold-blooded murder of an innocent young mother, Faith Hall,” he said.

James was the eighth person executed in the United States this year.